Giclee Prints
Fine art printing on Palo Duro Etching Paper
Like you, I have intensely dark periods of my life, followed by joyful periods, followed by lightning bolt downloads of truth, light, and knowledge. Sometimes these periods are complexly intertwined. Sometimes all I can hear are the lies of the deceiver swirling around in my head: half truths, mixed with seductive, bitter untruths, uttered on repeat until they feel true. Sometimes I remember who I was born to be. Then, I somehow can rise above all that is ugly and unfair, and for a moment I see the sunrise of my life shine brilliantly and burn into my soul the truths I have come to know--the things I cannot deny.
Paper Finishing: Smooth matte finish for a clean, glare-free display.
Paper Weight: 200 gsm (80 lb), thickness: 0.26 mm (10.3 mils).
Available Sizes: 27.94 x 35.56 cm / 11 × 14 in
Eco-Friendly Materials: Printed on environmentally conscious, FSC-certified paper.
Limited print edition of 100
3"x4" Grape Hyacinth.
Original was painted with Holbein watercolors on cotton rag watercolor paper.
This print is a high quality inkjet print on 4”×6” archival art paper in a limited edition of 5 prints.
Please note: this is a reproduction of the original and does not come framed.
In ancient times this plant, as with other plants of the Muscari genus, was associated with the Goddess Demeter. These flowers often were associated with women, birth, marriage, and death. Some say these were worn in bridal crowns in certain cultures.
This is part of my Tiny Art collection. They are as small and simple as the subjects they depict. I paint them quickly and lovingly, so anyone can have their very own original piece of art.
![On Grief [Kintsugi] (Print)](https://images.squarespace-cdn.com/content/v1/65b32e6ba847232325e9600b/1779852645000-QG3YFPBEKSGL68M0XX5P/tmp-1136-1Zohpip5DvN5)
Grief is a funny thing. It never really goes away. It just bounces around while you live your life. And every once in while it comes back to the surface and feels suffocating again. Like it did when it was fresh...But I've learned something recently.
Grief is just love that isn't sure where to land anymore.
Paper Finishing: Smooth matte finish for a clean, glare-free display.
Paper Weight: 200 gsm (80 lb), thickness: 0.26 mm (10.3 mils).
Available Sizes: 27.94 x 35.56 cm / 11×14"
Eco-Friendly Materials: Printed on environmentally conscious, FSC-certified paper.
Limited print edition of 100
3"x4" White Daisy, Green background.
Original was painted with Holbein watercolors on cotton rag watercolor paper.
This print is a high quality inkjet print on 4”×6” archival art paper in a limited edition of 5 prints.
Please note: this is a reproduction of the original and does not come framed.
The Daisy follows soft the Sun
And when his golden walk is done
Sits shyly at his feet
He—waking—finds the flower there
Wherefore—Marauder—art thou here?
Because, Sir, love is sweet!
We are the Flower—Thou the Sun!
Forgive us, if as days decline
We nearer steal to Thee!
Enamored of the parting West
The peace—the flight—the Amethyst
Night's possibility!
-Emily Dickinson
This is part of my Tiny Art collection. They are as small and simple as the subjects they depict. I paint them quickly and lovingly, so anyone can have their very own original piece of art.
Linoleum Relief Prints
Hand carved block prints. Hand printed on archival printmaking paper.
Linocut print on 11x14 archival printmaking paper. Black Cranfield Oil Based ink print. Edition of 5 prints
I make my linocut prints by hand carving the reverse of an image on a linoleum block. Then I use this block to stamp the image onto a page.
I ship these in clear plastic with a hard back, inside a rigid mailer.
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Based on the poem by Douglas Malloch. The man grew up among the forests, logging camps, and lumber mills of Michigan.
“Let other bards their harps attune To sing of gold and courts and kings; But leave to me the hush of June, The music that the forest sings”.
In our family, we can relate to the sentiments of this man. This piece captures a bit of that.
5x7 linocut print on archival paper. Open Edition (meaning I can print more to order). Indigo Cranfield Oil based Ink.
I make my linocut prints by hand carving the reverse of an image on a linoleum block. Then I use this block to stamp the image onto a page.
I ship these in clear plastic with a hard back, inside a rigid mailer.
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Inspired by the story of Jesus's birth, this piece reminds me of the love of family, and the love of God for each of us. It wasn't until after I finished it that my anatomy-geek husband pointed out this family makes a heart shape.
5x7 Linocut print on 8x10 archival paper with Gold Cranfield Oil Based printmaking ink.
I make my linocut prints by hand carving the reverse of an image on a linoleum block. Then I use this block to stamp the image onto a page.
I ship these in clear plastic with a hard back, inside a rigid mailer.
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This is a depiction of Jesus, Mary, and Joseph. I wanted to capture the essence of Mary’s love for her son, and the closeness of the holy family on the night of Jesus’s birth. It wasn't until after I finished it that my anatomy-geek husband pointed out this family makes a heart shape.
Linocut print on 11x14 archival printmaking paper with India ink.
There is only one of these prints ever made.
I make my linocut prints by hand carving the reverse of an image on a linoleum block. Then I use this block to stamp the image onto a page.
I ship these in clear archival plastic with a hard back, inside a rigid mailer.
———
The tall forest towers;
Its cloudy foliage lowers
Ahead, shelf above shelf;
Its silence I hear and obey
That I may lose my way
And myself.
Edward Thomas
Linocut print on 5×7 archival paper with India black ink.
I make my linocut prints by hand carving the reverse of an image on a linoleum block. Then I use this block to stamp the image onto a page.
I ship these in clear plastic with a hard back, inside a rigid mailer.
Birdy for sale, cheep.
Linocut print on 11x14 archival printmaking paper. I used Indigo Cranfield Oil Based printmaking ink.
I make my linocut prints by hand carving the reverse of an image on a linoleum block. Then I use this block to stamp the image onto a page.
I ship these in clear plastic with a hard back, inside a rigid mailer.
———
I hope this piece captures the beauty of the woods for you, as it does for me, and it’s cheep!
Two-register linocut black and orange print on 8x10 archival printmaking paper. Cranfield Oil Based printmaking ink.
I make my linocut prints by hand carving the reverse of an image on a linoleum block. Then I use this block to stamp the image onto a page.
I ship these in clear plastic with a hard back, inside a rigid mailer.
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Oh! pleasant, pleasant were the days,
The time, when, in our childish plays,
My sister Emmeline and I
Together chased the butterfly!
-William Wordsworth
4×6 linocut black ink print, with red stamped logo, on archival cardstock. I ship these in clear plastic with a hard back, inside a rigid mailer.
I make my linocut prints by hand carving the reverse of an image on a linoleum block. Then I use this block to stamp the image onto a page.
I ship these in clear plastic with a hard back, inside a rigid mailer.
———
Under the pines, on a summer’s day,
I list to a whisper from far away.
And, lying low, with my half-closed eyes,
Behold the beauty of fairer skies.
Some say ’tis the sound of the sighing sea,
Whose distant murmer steals over me;
Some say ’tis the baby breeze instead,
That rocks in the branches overhead;
But I know it is neither wave nor breeze,
On shining sands and in leafy trees;
’Tis the music sweet of a voice divine,
That whispers peace to each pensive pine.
-Kate Louise Wheeler
5×7 linocut print on archival paper. I used Indigo Cranfield Oil Based printmaking ink.
I make my linocut prints by hand carving the reverse of an image on a linoleum block. Then I use this block to stamp the image onto a page.
I ship these in clear plastic with a hard back, inside a rigid mailer.
Linocut print on 8x10 archival paper. I used Indigo Cranfield Oil Based printmaking ink.
I make my linocut prints by hand carving the reverse of an image on a linoleum block. Then I use this block to stamp the image onto a page.
I ship these in clear plastic with a hard back, inside a rigid mailer.
Linocut print on 5×7 archival paper. This was a five-print edition. I used Black Cranfield Oil based Ink.
I make my linocut prints by hand carving the reverse of an image on a linoleum block. Then I use this block to stamp the image onto a page.
I ship these in clear plastic with a hard back, inside a rigid mailer.
———
“She approached the thick-leafed table, and removed the covering, throwing it carelessly and gracefully aside, opened the instrument, and presented the beautiful arrangement of dark and white keys.”
Thomas B Thorpe
Linocut 8x10 archival printmaking paper. I used Black Cranfield Oil Based printmaking ink.
I make my linocut prints by hand carving the reverse of an image on a linoleum block. Then I use this block to stamp the image onto a page.
I ship these in clear plastic with a hard back, inside a rigid mailer.
Original Paintings
Acrylic, oil, and watercolor paintings on stretched canvas.
Original Painting 11"x14" paper
Watercolor paint on archival paper
We found this little guy dead on a windowsill at the in-law’s cabin. I painted him while husband took the kids for a walk in the woods. He is yours to adopt, if adopting butterflies is your thing.
24"x24" Lighthouse on the Pacific Coast Original Painting.
Painted with washing machine safe textile paint on a stretched cotton tea towel.
Inspired by my dear friend and best cheerleader, Ashley.
The lighthouse represents the guiding light of our Savior, and subsequently the guiding light we shine for others as we go about doing good.
Once your purchase is complete, I personally hand-inspect the artwork, sign it, and prepare it for shipment.. The painting is then secured inside custom-fit, reinforced artwork shipping box.
Your artwork ships (fully insured) with tracking. Throughout the process, your order is handled with a white-glove level of care, ensuring a smooth, secure, and elevated delivery experience from studio to doorstep.
6"x8" Purple Crocus Original Painting.
Painted with oil paint on a stretched cotton duck canvas.
Many, perhaps, from so simple a flower
This little lesson may borrow
Patient to-day, through its gloomiest hour
We come out the brighter to-morrow.
-Hannah Flagg Gould, excerpt from The Crocus's Soliloquy
This is part of my Tiny Art collection. They are as small and simple as the subjects they depict. I paint them quickly and lovingly, so anyone can have their very own original piece of art.
8"x10" Sunflower Original Painting.
Painted with oil paint on a pre-primed canvas.
Our neighbor sneakily scatters sunflower seeds in our yard and landscaping. They have been popping up all over. It is said that the sunflower represents happiness, devotion, resilience, good fortune, and friendship. They are a reminder of a bright future ahead.
Everything Currently In My Studio
Oil, acrylic, watercolor, and linoleum block prints
